Capping off a series on high-powered character, which began with how to make super-powered characters interesting, then isolating effect that power has on a person, and continued last week with a look on how power facilitates corruption, this week we’ll delve into the three main heroines of When Dragons Die.
When Dragons Die centers around the lives of three heroines, introduced in Lightfall. Each of them either start with or gain power that puts them on the level of super-heroes, albeit set in a fantasy world. In a world where magic is fairly common, and people have access to gods’ rune magic, to say someone is a super-hero by comparison means they are as much more powerful than the average fantasy spell slinger in the world as Superman or Thor might be over the average soldier in the comics world.
Aradma is the closest to the Superman archetype in that she’s born with god-like nature powers. She can summon and shape plant life somewhat like Ice Man does in the X-Men comics with ice bridges, encasing people in ice, etc. Aradma can bind anyone in vines, create sharp wooden thorns that fly at her opponents, and anything else along those lines she can imagine. Her power doesn’t make her tired either, as she’s a “low-resistance” channel to the elemental source of Life. This also makes her a natural healer (to a degree). Her other power is that she’s a druid-savant, in the same way that Mozart was a music-savant. So, every bit of druidic discipline that others have to learn (such as the healing, and the shapeshifting into different animal forms), she picks up intuitively. In that sense, she wasn’t born with shapeshifting, but he still didn’t have to earn the power. What keeps her from using her powers to overcome all obstacles is the idea addressed in part 1 of this series: just because you have a hammer, not every problem is a nail. She can’t make people love her, and she does care about her effect on people. She self-limits because raw power is not the best way to achieve her goals (such as saving the Matriarch from her fundamentalism), and also because she comes to a point where she doesn’t want to be involved with the world. She has the strength of character not to be corrupted by her power, and her moral challenges come from different angles. More on that later…
Arda is the person who earns her power. She’s a paladin, and she’s trained into her martial discipline all her life. She is the epitome of athletic capability (which is powerful without being magical), has an iron will (also not supernatural, but super powerful in the right character), and extremely skilled with pistol and sword. Her sword abilities rival the archetypes of Eastern martial arts movies, and her sword, though not magical, is unbreakable, un-bluntable, and fantastically sharp (it’s magic-like). She’s somewhat akin to the Iron Man style of hero, in that her gear takes her training to the next level. She also has cloth-thin armor, an almost nanotech substance discovered through alchemical means, that is soft and flexible, yet hardens on impact… a very sci-fi idea in this fantasy world (hence, “proto-steampunk”). Take this mix to the next level in that she can channel the mystical element of Light, and we had added the archetype of the Chi-based Eastern martial artist. She can empower her blades and bullets with the Light, and also has limited healing abilities (cure fatigue, for example). While her channeling of the Light is not as potent as Aradma’s channeling of Life, this still puts her on a super-level over the average citizens of Ahmbren in the same way that Jedi in Star Wars wield significantly more power than the average Star Wars citizens.
Because all of Arda’s power comes through discipline, coupled with a Light-based philosophy, her power is not a corrupting influence for her. She has the strength of character to use it when necessary and appropriate, just like any martial arts master.
Anuit’s character deals with the corruptive aspect of power more than the other two characters. She is a sorceress, and her magical tradition focuses on channeling the mystical element of the Dark, and the summoning, binding, and commanding of demon servitors. Her demons offer a physical representation in the story as to power’s corruptive, and seductive, influence. Unlike Aradma, Anuit is not born powerful. She does have to acquire her power, and to a certain degree she does earn it. Unlike Arda, however, her entire tradition (gaining power from demons) represents a shortcut. Sorcery is inherently easier than wizard magic, and more accessible, because the practitioner doesn’t have to learn to understand magic itself. It all is given by demons in exchange for the demon being able to manifest in the world. Where Anuit’s training and discipline comes in is not in the mastery of technique (though there is some of that), but in knowing herself, her fears, and learning when the demons might be manipulating her. It’s more psychological, and Anuit stumbles a lot on this path. Furthermore, Anuit does become the most powerful sorcerer the world has seen for generations, but that’s because she takes a shortcut even within the context of her own short-cutted tradition. She agrees to learn the secrets of necromancy from the demons themselves, rather than work at the pace her human mentor prescribes.
Anuit begins Covenant in a place where she feels pretty comfortable manipulating those around her to secure her place in her town. She’s not yet done anything to grab power for herself, and turns her powers mostly to secretly protecting the town from the roaming vampires of the wild. In these chapters, she reflects a classic super hero theme: the secret protector, and the secret identity as a mundane seamstress. She’s a good character at heart and the town unknowingly owes her their lives for her protection, and yet she uses her succubus to seduce the town’s lord and masquerades as his mistress in order to secure a place in the community. Her “Clark Kent” persona is much less a paragon than Superman’s. She’s not completely altruistic about it, because she set up her hidden persona before the vampire threat, and it’s also true she’s protecting the town as much to protect her own life as it is to protect the others. She’s a somewhat gray character here.
The demons’ efforts to corrupt Anuit continue into the Tides of Artalon (to be released late 2013), and the sense of security she finds at the end of Covenant, through her relationship with Arda, ends up lulling her into a certain bit of complacency. The demons don’t only represent power and its corruption, they also represent “inner demons” quite literally… as we saw in Lightfall, the demons are partially created from a piece of the sorceress’s soul. Inner demons know your weaknesses because they are you, and no matter how much you intellectually understand they lie, they’ll find a way to convince you to rationalize why they’re not lying this time.
Their Challenges in The Tides of Artalon
Culminating in the Tides of Artalon, each of the three heroines face a different challenge. Arda’s is simply pride. She stands at the pinnacle of her discipline at the start of Covenant and ends up killing innocents because of her pride. She realizes she’s not as perfect as she thought, and the guilt prompts her to seek forgiveness and atonement through the head of her order, the Gold Dragon. By the book’s end, this is pretty much resolved, and she stands as a moral anchor point for Anuit in The Tides of Artalon as Anuit continues her own struggles with the Dark. Arda has, for the most part, settled into who she is in The Tides of Artalon, and the question is, will she trust herself and have learned the lessons of pride enough to do what needs to be done when she’s handed power over the world and the gods?
Anuit’s power continues to only grow. She’s absorbed the aspects of two of her four demons by this point, and they start to manifest in her, sometimes visibly, more frequently. She has a hard time keeping herself from being swept away by anger and aggression as her soul’s channel to the Dark becomes more uninhibited. One of Ahbmren’s themes, unlike Star Wars, is that “the Dark” is not inherently evil. It’s been corrupted, and yes, demons are evil, but the Dark existed before demons. The Dark represents the power of choice, of discipline, and of negation (the ability to say, “No, I am not this… whatever “this” is.) The ultimate question will be, once she does master and find balance with the Dark, what will she choose to do when she’s handed power over the world and the gods?
Aradma has been the most challenging character to write. My beta readers have either loved or hated her, because her character concept is somewhat opposite the typical hero paradigm. Most heroes learn when not to use their power (e.g., Luke Skywalker learning not to do everything he could possibly do, because that includes the Dark Side of the Force). Aradma’s character concept is different. She starts out observing the world, and acting in an overly restrained way. She explores the idea “with great power comes great responsibility”, but spends much of her life after Lightfall not living up to that responsibility. Most powerful character have to learn humility; Aradma is overcautious with her power. She doesn’t want to intrude and she doesn’t want to shape others lives (partially due to her failures with the Vemnai culture in Lightfall). Also, she doesn’t want to become entangled, which is a selfish motive. She has a daughter and all she wants to do is stay home and raise her daughter.
The problem with Aradma has been that eventually circumstance forces her to act. The choice to not interfere is a choice, and there are consequences for those choices as well. Every time she waits until circumstance forces her to act, the overcompensates, and there’s always a cost. If she had been measured and involved all along, the price for her interventions might not have been as high. Her challenge is not power, but a lack of wisdom, and an inflated view of humility (the desire not to impose on others). Most heroes have to learn restraint, and Aradma’s challenge is that she has to learn to live to the fullness of her power. This character theme has struck some beta readers as arrogance, while it resonates with others, making Aradma a somewhat polarizing heroine. The question will be, by the end of the Tides of Artalon, when presented with power over the world and the gods, will Aradma shirk her responsibility, overcompensate, trust in the people of Ahmbren, or take ownership of the fate of the world on her own shoulders?
I’ve liked the fact that my beta readers have liked and disliked the different heroines. Some gravitate towards Anuit, with her inner struggles made manifest as demons, and others prefer the valiant Arda. Some resonate with the unapologetic Aradma, while others find her presumptive. I’m okay with this, and I like the fact that readers can experience Ahmbren from different perspectives, especially when it comes to the application of power.
I’d always wanted to avoid what Battlestar Galactica did: decide things for their readers (viewers). Things will happen at the end of Tides, and not all readers will agree with the protagonists’ decisions. The protagonists’ won’t agree with each other, and that allows the readers to side with one or the other, and not have me as the author dictate whom they should think is “right”… because the world of Ahmbren is not black and white. It’s… ok, I was about to write “many shades of gray”, but given that’s become a popular book title recently, I’ll avoid that connotation.
Until next week then!
(portrait art by Erin Cooper © 2013)